Mumbai (Maharashtra) [India], October 17: In the glitzy pre-Diwali race to captivate audiences, the forthcoming film Ek Deewane Ki Deewaniyat arrives with a heady mix of high emotion, big musings on love and obsession, and — ironically — a run into bureaucratic hurdles. On paper, the film appears to tick many boxes: a leading man in Harshvardhan Rane, a rising actress in Sonam Bajwa, a director with a flair for drama in Milap Zaveri, and ambitious marketing that screams “epic love story”. Yet behind the promotional sheen lies a more complex narrative: one of creative ambition meeting regulatory constraint, of emotional intensity courting mass-market uncertainty.

The Movie: What to Expect

Ek Deewane Ki Deewaniyat is billed as a romantic drama that explores the slippery slope from adoration to obsession. According to the film listings, “Love. Obsession. Heartbreak…” are the tags attached. The teaser, released via media outlets, hammers the themes home: “PYAR, DUKH aur NAFRAT” (love, pain and hate).

Harshvardhan Rane plays Vikramaditya while Sonam Bajwa plays Adaa Randhawa (as per the Wikipedia listing). Beyond that, the ensemble includes Shaad Randhawa, among others. The runtime clocks in around 141 minutes.

Production details reveal that the film is directed and co-written by Milap Zaveri, with Mushtaq Sheikh as a contributing writer. From press coverage, we know that Harshvardhan broke down during a dubbing session, indicating the film’s emotional intensity is more than just marketing.

The release date is set for 21 October 2025, coinciding with Diwali – a slot that signals confidence but also invites heavy competition.

The Regulatory Side-Story

Here’s where our narrative pivots from “just another love drama” to “love drama meets censorship limbo”. The film recently received its certificate from the Central Board of Film Certification (CBFC) — but not without key modifications. According to multiple sources, the CBFC required the replacement of certain dialogues referring to the Ramayana and adjustments to character names — for example, the villain originally “Ravan” was changed to “Maal”.  (Note: Inaccuracies may exist in sources, but the overview is clear.)

Media reports state that scenes and dialogues referencing mythological characters or religious texts were removed or altered. The news outlets framed this as the CBFC “chopping” certain content to accord with certification norms.

In short, the film did not sail smoothly into theaters — creative vision clashed with regulatory sensitivities, and the makers had to make edits. For a film that markets itself as raw and daring, this regulatory tangle adds a curious wrinkle.

The Positive Vibes (with PR-style flourish)

• High emotional stakes: With the lead actor visibly moved during dubbing, one senses the filmmakers are committed to delivering more than superficial romance. The promo suggests a tearful journey from love to pain. This could resonate with audiences looking for something deeper than a typical “boy meets girl” narrative.

• Strong marketing moment: The teaser created buzz, the lead cast looks in the poster and digital materials are dramatic, and the Diwali release slot gives it premium positioning. The first look poster (released August 21) already triggered social discussion about the film’s potential and its clash with other major releases.

• Growing audience interest: On BookMyShow, the film has over 126K people marked “Interested” ahead of release. This kind of pre-booking interest is encouraging, signalling that audiences are at least curious.

• Creative ambition: Director Milap Zaveri is not playing it safe — the thematic scope is big (“obsession, heartbreak, love”) and the marketing says so. For those craving a dramatic ride, this might be exactly what they seek.

The Caveats (a little salt to the PR sugar)

• Censorship cuts may raise questions: The fact that the CBFC required changes to dialogues referencing epic mythology suggests the film perhaps strayed into territory that invited regulatory attention. From a viewer’s standpoint, some narrative pieces may feel missing — if scenes had to be excised or altered post-production, that can affect pacing or logic.

• Heavy competition in the release window: With the Diwali festival release slot comes major risk. As pointed out by audience commentary, going up against strong titles may hamper box-office potential.

• Unclear budget and box office projection: At present, budget and box office figures are either unreported or ambiguous. For example, the listing on The Numbers shows zero domestic/overseas box office data.  This opacity makes it hard to gauge the film’s financial stakes from a trade perspective.

• Story may risk melodrama: From the teaser and marketing tone, the film appears to lean heavily into emotional extremes. While that can be powerful, there is a fine line between impactful and overdone. Some early commentary online is skeptical:

  “Milap Zaveri ? It’s gonna be a shit show. Also… Sonam doesn’t look good here. Rane looks better.” 
  That kind of audience cynicism could be telling.

Latest Buzz & Comments

• A Reddit thread on the film’s title elicited some harsh takes:

  “We trust the director for delivering complete crap in Hindi cinema.”
  Ouch — but indicative of the challenge ahead.

• The production wrap-up was marked by a minor incident: Harshvardhan Rane and Sonam Bajwa allegedly witnessed a “freak accident” (a big bunch of helium balloons burst during the wrap party) and posted about it, using the moment for a bit of social media storytelling.

• On the marketing front: A song from the film titled “Ek Deewane Ki Deewaniyat – Sad Version” is already out on YouTube, adding to the soundtrack momentum.

• Release & availability: The film is listed on overseas circuits (e.g., VOX Cinemas in Oman) for October 21.

• Online pre-booking interest is solid. As noted earlier, BookMyShow shows strong “interested” numbers ahead of release.

The Financial Unknown & Box Office Outlook

Unfortunately, public trackers show no meaningful box-office or budget data yet for Ek Deewane Ki Deewaniyat. For instance:

• Bollywood Hungama lists “No data to display” for the India box office.

• The Numbers show zeros in domestic and international collections (likely because it’s pre-release).

• Filmibeat lists the budget as “TBA” and the box office as “TBA”.

So from the financial angle, it’s uncertain — which is itself a risk for the producers. The Diwali slot suggests high expectations, but absent solid tracking data, we’ll have to wait and see how it performs post-release.

In Conclusion

Ek Deewane Ki Deewaniyat presents itself as an emotional, high-voltage romantic drama — one that promises to plunge into obsession, heartbreak and the aftermath of love gone awry. Its strengths lie in ambition, a marketable cast, and strong pre-release interest. On the flip side, the censorship hiccup, the crowded release window, and the uncertainty around financial metrics inject a measure of caution into the hype.

In PR speak: this film has the potential to be the “event” love story of the season — if it manages to navigate the obstacles and translate emotional intensity into audience connection. But one can’t help noticing the cracks: some regulatory compromises, some online skepticism, and a release schedule that pits it against formidable competition.

If you’re someone who enjoys romance with a darker edge, a bit of raw emotion and is willing to overlook “safe and predictable”, then this one could deliver. But if you expect a slick, mass-entertainer with broad appeal, you might find the ride a little uneven.

PNN Entertainment